Categories
India Journalism Tech

Netflix Slashes India Prices in Battle with Amazon, Disney

That’s the headline on a story I wrote, out Thursday. It begins:

Netflix Inc. is slashing its prices in India, a key market for global growth where it trails cheaper rival streaming services from Amazon. com Inc. and Walt Disney Co.

The Los Gatos, Calif., company this week said in a blog post from India executive Monika Shergill that it is cutting its basic plan in India by 60% to 199 rupees, equivalent to $2.61, a month. Netflix also lowered prices on its least expensive plan, which offers mobile-only viewing, to $1.95 monthly. Its most expensive plan has been cut to $8.51.

Netflix has continued to switch up its strategy in the South Asian nation since launching in 2016, when it targeted the country’s more affluent consumers with plans that started at $7.50 a month.

The announcement didn’t provide a reason for the latest price reduction. A Netflix spokeswoman said the company is reducing its prices so more consumers can access its material in the country. She added that the company has been investing heavily in local content in India.

Click through to read the rest.

Categories
Newley's Notes

Newley’s Notes 180: Streaming Video Wars; Apple’s Privacy Push; YouTube Under Fire; Silly Dogs in Churches

2019 06 10landscape

Hi, friends. Welcome to the latest edition of Newley’s Notes.

🆕 My latest story, which came out Tuesday, is about the streaming video wars here in India.

🎥 The headline: Netflix and Amazon Trail a Local Video Rival in India That’s Now Disney-Owned. It begins:

To win in India, home to many of the world’s next billion internet users, Netflix Inc. and Amazon.com Inc. are copying the tactics of a video-streaming service built for the local market.

Hotstar dominates the Indian market. Launched four years ago by media conglomerate Star India as a mobile-first streaming platform for watching cricket, movies and TV, it now has 300 million monthly users – roughly 10% more than YouTube, India’s second-biggest video content platform. While only three million users pay for access, that is still more than Amazon has, and more than twice as many as Netflix. Walt Disney Co. now owns Hotstar.

Netflix and Amazon, shut out of China and facing stiff competition in the maturing U.S. market, are adopting the strategies that fueled Hotstar’s success – low prices that the average Indian viewer can afford and loads of local content in multiple Indian languages.

Click through to read the rest.

Here are ten items worth your time this week:

🔒 1) Apple Touts New Privacy Features Amid Scrutiny of Tech Giants [WSJ]

My colleague Tripp Mickle reports from Apple’s annual software developers’ conference:

“Apple Inc. sought to tout itself as a digital-privacy crusader with an anonymous login system and tools that prevent apps from tracking a user’s location, a push that is designed to further differentiate it from Google and Facebook Inc., which have built their fortunes on tracking user activity and behavior.”

🍎 Other new Apple stuff, via my colleague David Pierce:

  • There’s a new iPad OS
  • The iPad is getting copy-and-paste, and thumb drive capability
  • Mac is retiring the iTunes app
  • Apple Watch is getting an app store
  • There’s a new Mac Pro starting at…$6,000

🚫 2) YouTube just banned supremacist content, and thousands of channels are about to be removed [The Verge]

“YouTube is changing its community guidelines to ban videos promoting the superiority of any group as a justification for discrimination against others based on their age, gender, race, caste, religion, sexual orientation, or veteran status, the company said today. ”

🎙️ 3) Related: The Making of a YouTube Radical [New York Times]

“The radicalization of young men is driven by a complex stew of emotional, economic and political elements, many having nothing to do with social media. But critics and independent researchers say YouTube has inadvertently created a dangerous on-ramp to extremism by combining two things: a business model that rewards provocative videos with exposure and advertising dollars, and an algorithm that guides users down personalized paths meant to keep them glued to their screens.”

🌊 4) Towing an Iceberg: One Captain’s Plan to Bring Drinking Water to 4 Million People [Bloomberg Businessweek]

“Making use of his unusual skill set, he plans to harness and tow an enormous Antarctic iceberg to South Africa and convert it into municipal water.”

🌷 5) Post-it note war over flowers deemed ‘most middle-class argument ever’ [Metro]

“The row, which kicked off on a street in London, first began after someone left a note on a tree simply stating ‘please don’t pick my flowers’.”

📱 6) When Grown-Ups Get Caught in Teens’ AirDrop Crossfire [The Atlantic]

“As more teens get their own iPhones and a rising number of schools crack down on social media, AirDrop culture has gone mainstream – and more adults are getting caught in the crossfire.”

✂️ 7) The cutting-edge of cutting: How Japanese scissors have evolved [Nikkei Asian Review]

“Inside Tokyo stationery stores, scissors are undergoing a quiet evolution.”

🧵 8) Complete Knot List [Animated Knots]

“Follow along as ropes tie themselves, showing just the essential steps, so you can master a knot in no time.”

📻 9) Learning to Listen, in a Los Angeles Cafe Built for Vinyl [New York Times]

“Japanese-style listening bars, where D.J.’s spin carefully selected records for a hushed audience, are arriving in America.”

😂 10) Sometimes dogs just wanna play…at the most inappropriate times. [Instagram: dogsvideos1]

💡 Quote of the week:

“For every minute you are angry you lose sixty seconds of happiness.” – Ralph Waldo Emerson

💥 Was this message forwarded to you? Sign up here.

👊 Fist bump from New Delhi,
Newley

Categories
India Journalism Tech

Netflix and Amazon Trail a Local Video Rival in India That’s Now Disney-Owned

2019 06 06 hotstar netflix amazon

That’s the headline on my most recent story, out Tuesday.

It begins:

NEW DELHI—To win in India, home to many of the world’s next billion internet users, Netflix Inc. and Amazon.com Inc. are copying the tactics of a video-streaming service built for the local market.

Hotstar dominates the Indian market. Launched four years ago by media conglomerate Star India as a mobile-first streaming platform for watching cricket, movies and TV, it now has 300 million monthly users—roughly 10% more than YouTube, India’s second-biggest video content platform. While only three million users pay for access, that is still more than Amazon has, and more than twice as many as Netflix. Walt Disney Co. now owns Hotstar.

Netflix and Amazon, shut out of China and facing stiff competition in the maturing U.S. market, are adopting the strategies that fueled Hotstar’s success—low prices that the average Indian viewer can afford and loads of local content in multiple Indian languages.

Netflix is churning out Indian-language dramas, love stories and thrillers and slashing its monthly rates. Amazon has signed up local stand-up comedians and backed a “Sex and the City” clone about a group of women in Mumbai that is broadcast in three Indian languages.

Click through to read the rest.

Categories
Movies

Bhagwan Shree Rajneesh docu-series ‘Wild, Wild Country’ — Yes, It’s That Good

wild_wild_country_posterI really enjoyed the new Netflix docu-series “Wild Wild Country,” which you may have heard about. It was released last month and has been garnering some positive reviews and tons of online buzz.

It’s the story, told over six, hour-long episodes, of the Indian guru Bhagwan Shree Rajneesh and his devotees, known as Rajneeshis.

Thousands of the disciples, from both India and many other countries, followed him from India to the U.S., where they built a commune in the early 1980s outside a tiny town in Central Oregon.

The orange-clad followers clashed with locals and authorities before ultimately…well, you’ll have to give it a watch to see how it ends (if you don’t already know).

Some of the things I loved about the series:

  • The directors, Chapman and MacLain Way, manged to portray sympathetically not just members of the Bhagwan cult, but also the town’s residents, with many long interviews in which participants in the saga shared their first-person accounts. (Many were in the twenties or thirties during the time the events took place, so are now in their fifties or sixties.)
  • The series contains on a ton of contemporaneous footage, from local TV news accounts that aired at the time to what looks like footage shot by Rajneeshis themselves to document goings on at their commune.
  • The music is fantastic, really adding emotional content. (Some reviews I’ve read say the music is too overbearing, but I quite liked it.)

I’ve been digging around to try to learn more about the movement (don’t worry — just out of curiosity, not in a desire to join it!). Here are some resources I’ve found:

Update, April 7: Columbia Journalism Review has an interview with Les Zaitz, the Oregonian investigative reporter featured in the series.

He reveals what it was like report on the story, recounts his trip to India to learn more about Bhagwan and Sheela, and more. The close quote:

I’ve always been struck by just how dangerous and evil some of these people were. I’m not sure the Netflix series has accurately captured that. This was not just a group of people that lost their way. This was a very dangerous group that put a lot of lives at risk.