This snippet in Richard Brody’s recent New Yorker piece on the best movies of 2015 struck me:
The cinema’s self-conscious modernity arose when its makers put a virtual mirror into its lenses and revealed the filmmaking process in the films themselves. They reflected the world around the movie within the movie, the director on the screen. But television has outrun the cinema here, too, by replacing the mirror with an echo chamber; by means of social media, television has gone beyond reflexivity to become participatory. It has become its own story. “Transparent” isn’t about an elderly father who comes out as a transgender woman; it’s about the making of a show on that subject. “Mad Men” is about the making of a show about advertising people in the nineteen-sixties. Unlike movies, where reflexivity is a matter of aesthetics, TV has made it a matter of ethics, politics, and sociology.
Food for thought.
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